Chicago Symphony 2022-23: new CSO Fellowship Program, music by composers of color, Muti’s final season as music director

Orlando Philharmonic concert to feature band of former astronauts

At Chicago Philharmonic, diversity is a priority

Utah Symphony’s 2022-23: Mahler 3, women composers, guest conductors, Fischer’s last season as music director

South Bend Symphony to feature music by Black composers, past and present: William Levi Dawson, Quinn Mason, Florence Price

Despite delays, federal tax breaks and subsidies remain lifelines for orchestras and others during pandemic

Afghanistan National Institute musicians perform with Yo-Yo Ma in Portugal, where they have been granted asylum

Tucson Symphony 2022-23 season: Mexican composers, works with chorus, “The Facts and Dreams of the World According to Michael Jackson”

Considering “Russianness” and music by Russian composers, with Ukraine invasion as a backdrop

Wheeling Symphony “on the go” at churches, coffee houses, record shops

San Francisco Symphony’s 2022-23 season: multiple premieres, music by women and composers of color, Europe tour

In Kharkiv, musicians perform concert in subway station, now a bomb shelter

Hartford Symphony administrative restructuring, reflecting focus on diversity and inclusion

Don’t miss the exciting lineup of speakers and events at the League’s 2022 National Conference

Stockton Symphony world premiere of Victoria Bond work honoring Ruth Bader Ginsburg


Review: Milwaukee Symphony’s semi-staged “Peer Gynt,” with chorus, dialogue, puppets, and more

In Philadelphia public art project “Duet,” Curtis and Drexel students cajole strangers to sing

Pittsburgh Symphony 2022-23: world premieres by MacMillan and Garrop, reimagined “Salome” suite, dance and chorus collaborations

Wisconsin Chamber Orchestra debuts “Kotuku” for orchestra and Native American flute

Anne Parsons, longtime Detroit Symphony president and CEO, has died

Portland Chamber Orchestra to sponsor tickets to “My Words Are My Sword” performances

Kansas City Symphony 2022-23: guest conductors, music by Strauss, Zemlinsky, Billy Childs, Jessie Montgomery, Adam Schoenberg

OKC Philharmonic commissions work about civil rights activist Clara Luper for 2022-23 season

Nashville Symphony to open 2022-23 with Mahler’s “Resurrection” Symphony

Ravinia Festival to resume full-length season this summer

Review: National Philharmonic world premiere of Hailstork’s “America’s Requiem: A Knee on the Neck”

Buffalo Philharmonic to hold benefit concert for Ukraine, April 3

Housing shortage, rising rents compel Aspen Music Festival and School to reduce number of students

Pennsylvania’s Westmoreland Symphony’s “Nuevo Tango” program: Piazzolla, Arriaga, Turina

Richmond Symphony program: Alyssa Morris world premiere concerto, plus music by Amy Beach and Mary Alice Smith

Michigan’s Holland Symphony revives score by Samuel Coleridge-Taylor

At Music Academy of the West, London Symphony and Simon Rattle renew partnership after pandemic delay

Twenty orchestras to receive Catalyst Fund Incubator Grants from League of American Orchestras

Symphony Tacoma to perform world premiere of David Ludwig’s “The Bleeding Pines”

La Jolla Music Society’s SummerFest to expand from three to four weeks in 2022

Louisville Orchestra adds “Creators Corp” of paid composer residencies

David Danzmayr makes his mark as music director of Oregon Symphony

Ukrainian cellist plays Bach in bombed-out streets of Kharkiv

Toronto Symphony announces first full season since pandemic began

Charlotte Symphony adds digital archive

Review: Ukrainian Contemporary Music Festival in NYC, planned before Russian invasion

Munich Philharmonic appoints its first woman concertmaster: Naoka Aoki

Avery Fisher Career Grants go to cellist, percussionist, pianist, saxophonist, violinist

Santa Rosa Symphony’s 2022-23 season: classics, world premiere by Angélica Negrón, “Magic Flute” with area students

Seattle Symphony to perform at “Mayors’ Concert for Ukraine and Refugees Worldwide” on April 4

Orchestra 2001 recognized for “Emerging Markets” neighborhood series during the pandemic

At Phoenix’s Musical Instrument Museum, luthier Rodrigo Correa-Salas preserves and maintains thousands of instruments

Cleveland Institute of Music to adopt more rigorous model for preparatory program this fall

On the podium: Lina González-Granados and other conductors with Latin American origins

Pittsburgh Symphony to perform fundraising concert for humanitarian aid to Ukraine

New York Philharmonic announces inaugural season in renovated Geffen Hall at Lincoln Center

Classical Movements to present “Concert for Ukraine,” March 22

Review: PostClassical Ensemble in music by William Levi Dawson, Louis Moreau Gottschalk

Russian conductor will not lead New York Philharmonic in upcoming concerts

In Charlotte, North Carolina, classical FM radio station gains listeners, reaches #1 slot for January

Joshua Elmore, 24, takes his seat as Fort Worth Symphony’s new principal bassoon

Milwaukee Symphony 2022-23: music inspired by nature, choral works, pianist/artistic partner Aaron Diehl

Illinois Philharmonic unveils Marilynn Tannenbaum Youth Music Education Institute

LA’s Colburn School announces major expansion, to be designed by Frank Gehry

Houston Symphony’s world premiere of Kyle Rivera’s “Bridgetower Variations”