“The New York Philharmonic’s program this week—titled ‘The March to Liberation’ and conducted by Leslie B. Dunner … had a streak of urgency and plenty of orchestral splendor,” writes Seth Colter Walls in Friday’s (3/3) New York Times. “A world premiere from Courtney Bryan, ‘Gathering Song,’ with text by Tazewell Thompson, opened the show; William Grant Still’s Symphony No. 2 followed; and, after intermission, a 45-minute, oratorio-style work by the veteran composer Adolphus Hailstork, ‘Done Made My Vow, A Ceremony.’ … A premiere from an up-and-comer, a venerable half-hour symphony, a dramatic finish—you could almost see the outlines of a typical subscription concert. Yet an all-Black roster of composers is hardly business as usual at a mainstream institution … William Grant Still’s 1937 symphony, subtitled ‘Song of a New Race,’ is the kind of chestnut we should be hearing American orchestras playing regularly. But his music remains a rarity. Hailstork is also too infrequently heard, despite a prolific, half-century career…. Bryan’s work proved thrilling in its polish and expressive range…. In Still’s Second Symphony … Dunner sagaciously managed the call-and-response qualities of the score … [In] Hailstork’s piece—structured as a Black American history lesson … Hailstork’s setting of various psalms, came across as grandly cosmic.”
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