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What Quality Makes Today’s American Orchestral Music American?
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2026 Azrieli Music Prizes for Composers Announced
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Baton Rouge Symphony’s Native American-Themed Concert
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The Broad Range of Wisconsin Chamber Orchestra’s 2025-26 Season
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Saxophonist Steven Banks Brings Billy Childs’ “Diaspora” to Quad City Symphony—and Public Schools
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Review: Dallas Symphony in World Premiere by Kathryn Bostic, Plus Works by R. Strauss and Brahms
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Revolución: Compositores Mexicanos en Ascenso
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Revolución: Mexican Composers on the Rise
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2026 Classical Grammy Nominations Announced
Industry News
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The Contemporary Relevance of a Violin Concerto That Mourned Ukraine’s Fate—During World War II
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Steven Lankenau to Succeed Janis Susskind at Helm of Music Publishers Boosey & Hawkes
Musical Chairs - Industry Moves
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Pasadena Symphony to Highlight American Music in 2025–26 Season
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Music Director David Danzmayr on Oregon Symphony’s “Sounds Like Portland Festival”
Voices from the Industry
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Rediscovering Composer Samuel Coleridge-Taylor
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Ken-David Masur Joins Oregon Bach Festival as Artistic Partner
Musical Chairs - Industry Moves
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Allentown Symphony Plays New and Recent Chamber Scores at Science Center
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Review: Utah Symphony in Boulez, Rachmaninoff, and Steven Mackey’s New Saxophone Concerto
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Vermont Symphony Performs Beethoven’s “Pastoral” Alongside Chelsea Komschlies’s New “Mycelialore”
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Cleveland Women’s Orchestra Celebrates 90th Anniversary
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Kyle Rivera Selected as Winner of 2025 Emerging Black Composers Project
Equity, Diversity, and Inclusion
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Rochester Philharmonic’s “Massive Onslaught of Beethoven”
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Julia Bullock Plans Big for 2026 Cincinnati May Festival
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Seattle Symphony Performs Gabriella Smith’s Climate-Oriented “Lost Coast” Cello Concerto
Climate and Sustainability
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Lima Symphony Opens Season with a New Look at the Grand Canyon and Chelsea Komschlies’s “Mycelialore”
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Scores by Henry Purcell Discovered in Town Archives—Three Centuries Later
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Review: World Premieres Plus Rescored and Reconstructed Scores at ROCO
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