Tag: Accessibility

The Effects of Cuts to Public Radio on Classical Music in the U.S.

In Sunday’s (10/12) Washington Post, Michael Andor Brodeur writes, “Back in July, the Trump administration clawed back some $1.1 billion in funding for public broadcasting, effectively shuttering the Corporation for Public Broadcasting, which for nearly 60 years appropriated federal funds to organizations such as PBS, NPR and other member stations. This move was paired with a complete congressional wipeout of federal funds for public media going forward. This predicament has put listeners who depend on public radio for news and information—especially in rural and remote areas—in a precarious position. It also has stations across the country scrambling to fill funding gaps left in the wake of this withdrawal of federal support…. On Oct. 1, these funding cuts officially landed, forcing dozens of stations to cut hundreds of jobs, and putting vulnerable outlets at high risk…. For classical music lovers, this minor-sounding closure should strike an ominous chord: When you consider that some 96 percent of the classical music on U.S. radio is broadcast over public airwaves, a single loss feels like the tip of a particularly perilous iceberg. The potential closure of public radio stations threatens the availability of free, over-the-air classical music for millions of people. Moreover, many stations… are closely interconnected with their respective region’s classical music scenes, maintaining long-term partnerships and symbiotic relationships that increase the visibility and viability of local arts economies.”

Seattle Chamber Music Society Makes Music Mobile with Concert Truck

In Tuesday’s (9/30) Pizzicato (Luxembourg), Rémy Franck writes, “Seattle Chamber Music Society (SCMS) has acquired ‘The Concert Truck,’ a traveling music venue that presents concerts across the country and redefines how people experience live music. By converting a box truck into a fully equipped mobile concert hall, complete with lights, a sound system, and a grand piano, The Concert Truck brings classical music directly into city streets, festivals, schools, neighborhoods, parks, and other everyday spaces…. As a core element of SCMS’s programming, The Concert Truck can further advance accessibility, engagement, and artistic excellence with renewed support, turning spontaneous outdoor moments into lasting connections with the community. ‘We believe classical music is vibrant, magnetic, and belongs in everyday life,’ says John Holloway, SCMS’s Dr. Oliver E. Cobb Executive Director. …‘We are putting our money where our mouth is:  investing in the future of classical music and partnering with organizations nationwide to bring world-class performances to wherever you can think to park a truck.’ Pianist Susan Zhang created The Concert Truck with pianist Nick Luby in 2016.”

St. Louis Symphony Renovates—and Expands—Its Longtime Home

In last Tuesday’s (9/23) St. Louis magazine, Kathy Roberts writes, “ ‘Orchestras are very much a reflection of their community,’ says Marie-Hélène Bernard, president and CEO of the St. Louis Symphony Orchestra (SLSO). Ten years ago, when Bernard arrived in St. Louis from Boston, where she held the title of executive director of the Handel and Hayden Society, she says she discovered one of the finest music halls in the country—and a music organization that speaks to the heart of St. Louisans…. Under the leadership of Emily Rauh Pulitzer, chair of the SLSO’s Powell Hall Task Force, Bernard was charged with exploring a renovation of the building, bringing a decades-long dream to life that meets audiences in the way they consume music now. Opened on September 19, the $140 million expansion and renovation unifies Powell Hall with a 64,000-square-foot addition known as the Jack C. Taylor Music Center … The new space features a 4,000-square-foot education and learning center, rehearsal rooms, dressing rooms, a recording studio, a three-story lobby, and gathering areas for before and after performances…. Says Bernard, ‘We wanted it to be beautiful. But it had to operationally support our mission of making Powell Hall more accessible and inviting.’ ” The article includes comments from multiple firms and individuals involved in the renovation and new construction.

From the Wallace Foundation: How to Build Arts Audiences

A study from the Wallace Foundation, In Search of the Magic Bullet, explores results from its long-running Building Audiences for Sustainability Initiative. Among the 25 arts organizations that participated in the initiative are the Seattle Symphony and the Opera Theatre of St. Louis. The initiative found, essentially, that if arts organizations want to change how audiences engage with them, they must first be open to changing themselves. The Magic Bullet study revealed that there is no single method for arts organizations to build their audiences while also increasing revenue—but there are strategies that could help. In the initiative, the arts groups tested different approaches to build new audiences while keeping their current audiences engaged. Some focused on age groups, such as millennials or Gen-X; others looked at location and how they interacted with their community. Some worked to attract a more racially or ethnically diverse audience. A few sought to build audiences for new or less familiar artworks. To find out which approaches worked and which were less successful, researchers from the University of Texas at Austin drew on extensive interviews with BAS organizations’ leadership and staff as well as ticketing data and audience surveys. Learn more at https://wallacefoundation.org/resource/article/scoop-audience-building.

Orchestras Act to Broaden Repertoire, Concert Formats—and Audiences

In Monday’s (9/22) Tampa Bay Times (Florida), Kurt Loft writes, “When was the last time you listened to a Beethoven symphony, much less paid to hear it performed? That’s what officials with The Florida Orchestra ask themselves as they launch their 58th season … The question is, will young people buy tickets to hear the sounds of past centuries? Just as important, can orchestras keep leaning on the familiar without risking their future? The answer, say industry experts and musicians, is clear … ‘It’s essential that we offer a mix of the old and the new,’ says music director Michael Francis…. No ensemble can survive in today’s arts climate without a commitment to diversity and variety, both generational and in the music itself … But as [familiar music] and other works recede farther into the past, a younger generation can feel disconnected. To counter this, The Florida Orchestra offers [a wide range of music]… Innovation is part of the fabric of many of these concerts, including synchronized videos … The Jacksonville Symphony appeals to the city’s young demographic with an imaginative mix of classical, pop, rock and jazz … The Seattle Symphony follows a similar approach … It’s making a difference across the country, according to an audience diversification study by [TRG Arts and] the League of American Orchestras, a non-profit advocacy group supporting more than 700 ensembles. [Between 2019 and 2023], the proportion of tickets purchased by Millennial buyers surged from 9 to 25%, while those purchased by Gen X rose from 20 to 31%.”

Access Contemporary Music’s New Venue: A Former 7-Eleven Store

In Tuesday’s (8/12) WBEZ (Chicago), Graham Meyer writes, “Not everyone looks at the long-vacant husk of a former convenience store and gets visions of string quartets and piano recitals. But that’s exactly how it happened for Seth Boustead, the head of Access Contemporary Music. In February 2023 … Boustead saw the familiar sight of the empty store at 4116 [North Clark Street], once a 7-Eleven, before that a White Hen Pantry. This time, the window had a ‘for rent’ sign…. ‘This would be an amazing chamber music venue,’ he remembers thinking, dreaming of what is now scheduled to open in mid-September as the CheckOut. Previews in the new space have already begun … ACM, now 21 years old, has always done many different things simultaneously. It gives music lessons, has a composer collective and presents concerts, such as the annual Sound of Silent Film Festival, where it commissions and live-performs scores for modern silent films. And once a year, it throws a classical music street festival called Thirsty Ears. The CheckOut … aims to put on two or three chamber concerts a week, mostly self-produced. There are incipient plans for a jazz night on Thursday and for cabaret shows.”

West Michigan Symphony Invites Amateur Musicians to Perform with the Pros

In Thursday’s (7/10) MLive.com (Michigan), Skyla Jewell-Hammie writes, “The West Michigan Symphony will host its inaugural Symphony Side-by-Side event this weekend, inviting fans and community members to dust off their instruments and play alongside professional musicians. The inaugural Symphony Side-by-Side kicks off on Saturday, July 12, featuring Pyotr Tchaikovsky’s ‘Swan Lake’ and ‘1812’ Overture, Georges Bizet’s ‘Carmen’ Suite and more. The musicians—amateur and professional—will gather at the Frauenthal Center in downtown Muskegon for a full day of rehearsing, culminating in a free public concert at 6:30 p.m…. Symphony CEO Andy Buelow said, ‘For years, I have encountered adults who participated in band or orchestra in school but didn’t continue playing. There’s always a wistfulness about how they talk about it. So, we decided to do something about it.’ That … turned out to be plans for the new Symphony Side-by-Side: a full day of practicing, coaching and rehearsing alongside WMS musicians, led by Music Director Scott Speck…. The amateur players can be assured that a WMS musician will be nearby to provide support. WMS announced the opportunity last winter … ‘It’s self-selecting. If [amateur musicians] looked at the music and decided to tackle it, they were in,’ Speck said.”

Marquette Symphony Gives Free Concert in the Heart of Downtown

In Wednesday’s (7/9) WZMQ (Marquette, Michigan), Andrew Hansz reports, “The Marquette Symphony Orchestra (MSO) is bringing this year’s free Summer POPS! concert to the heart of downtown Marquette. On Thursday, at 7:30 p.m., in the Marquette Commons, the orchestra will feature its ‘Wild, Wild West’ show, with music based around 1960s western films, as well as an arrangement of patriotic themes. As its band shell is under construction at Presque Isle this summer, the band has decided to center the annual concert within the community. ‘We have been doing the concerts in different locations, usually at Presque Isle, but this year, we decided to do it here to bring everything closer to the community,’ said Octavio Más-Arocas, director of the Marquette Symphony Orchestra. ‘I think that this is a beautiful space, and it will be a wonderful evening for everyone.’ The concert is free, but donations are always accepted. MSO encourages the community to bring out the snacks, drinks, and the whole family.”

Indianapolis Symphony Heads Outdoors for Annual Summertime Series

In Wednesday’s (6/26) WISHTV (Indianapolis), Savannah Scholl writes, “The Indianapolis Symphony Orchestra’s 2025 Kroger Symphony on the Prairie season kicks off on June 27 at the Conner Prairie Amphitheatre in Fishers, Indiana. This year’s lineup features 21 performances over 10 weekends and … includes tributes to iconic artists like Fleetwood Mac, Taylor Swift and Queen. Concertgoers can enjoy the performances in a relaxed outdoor setting at the Conner Prairie Amphitheatre, where they are welcome to bring their own food, drinks and lawn chairs…. The season opens with Tusk, a tribute to Fleetwood Mac, followed by Arrival from Sweden performing the music of ABBA. Other highlights include the ‘Star-Spangled Symphony’ with fireworks and patriotic classics, and ‘Disney in Concert’ featuring animated film sequences and live performances by Broadway-caliber singers. The partnership with Conner Prairie has been instrumental in building an audience for the Symphony on the Prairie series … In addition to the musical performances, the series offers a unique opportunity to experience the Indianapolis Symphony Orchestra in a more casual and accessible environment, breaking down barriers that might deter some from attending traditional orchestral concerts.” WISHTV includes a video interview with Sara Galer, the orchestra’s VP of marketing and communications.