{"id":10106,"date":"2014-01-17T17:02:09","date_gmt":"2014-01-17T17:02:09","guid":{"rendered":"http:\/\/hub.passdrop.me\/2014\/01\/17\/new-york-philharmonic-principal-bassoon-in-the-spotlight\/"},"modified":"2014-01-17T17:02:09","modified_gmt":"2014-01-17T17:02:09","slug":"new-york-philharmonic-principal-bassoon-in-the-spotlight","status":"publish","type":"post","link":"https:\/\/symphony.org\/new-york-philharmonic-principal-bassoon-in-the-spotlight\/","title":{"rendered":"New York Philharmonic principal bassoon in the spotlight"},"content":{"rendered":"<p> In Friday\u2019s (1\/10) <a href=\"http:\/\/classicalvoiceamerica.org\/2014\/01\/10\/new-york-philharmonic-bassoonist-judith-leclair-prepares-to-perform-mozart-concerto\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Classical Voice North America<\/em><\/a>, Gail Wein  writes about four January performances of Mozart\u2019s Bassoon Concerto  featuring Judith LeClair, principal bassoonist at the New York  Philharmonic, led by Andrey Boreyko. \u201cThis marks the fifth time LeClair has performed the concerto with the NY Philharmonic\u2026.  This time, LeClair is performing a brand-new cadenza, which she wrote with some help from her husband, the pianist Jonathan Feldman, and the pianist Jeffrey Kahane, with whom she plays chamber music.\u2026 As she celebrates her 32nd season, LeClair reflects on how playing with the venerable orchestra has changed over the decades.\u2026 \u2018This has always been an excellent orchestra to play in,\u2019 she says, \u2018but I have to say that it has become even more fun to play here than it used to be.\u2026 It just keeps on getting richer and better.\u2019 LeClair \u2026 is only the fourth person to hold the principal bassoon position over the past century.  Before LeClair, there was Manuel Zegler (1958-1981), William Polisi (1943-1958) and Benjamin Kohon (1907-1943).\u201d Topics LeClair discusses in the article include the Philharmonic\u2019s conductors over the years, the small solo repertoire for bassoon, and the challenge of making double reeds.\u201d <em>Classical Voice North America<\/em> is the journal of the Music Critics Association of America. <\/p>\n<p>Posted January 17, 2014<\/p>\n","protected":false},"excerpt":{"rendered":"<p \/>In Friday\u2019s (1\/10) <em>Classical Voice North America<\/em>, Gail Wein writes about four January performances of Mozart\u2019s Bassoon Concerto featuring Judith LeClair, principal bassoonist at the New York Philharmonic, led by Andrey Boreyko&#8230; <\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"topic":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - 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