{"id":20829,"date":"2019-10-08T15:35:32","date_gmt":"2019-10-08T15:35:32","guid":{"rendered":"http:\/\/hub.passdrop.me\/2019\/10\/08\/noah-geller-digging-into-concertmaster-role-at-seattle-symphony\/"},"modified":"2019-10-08T15:35:32","modified_gmt":"2019-10-08T15:35:32","slug":"noah-geller-digging-into-concertmaster-role-at-seattle-symphony","status":"publish","type":"post","link":"https:\/\/symphony.org\/noah-geller-digging-into-concertmaster-role-at-seattle-symphony\/","title":{"rendered":"Noah Geller, digging into concertmaster role at Seattle Symphony"},"content":{"rendered":"

\u201cNoah Geller, the distinguished new concertmaster of the Seattle Symphony Orchestra, has a concise yet heartfelt way of describing the enduring appeal of Wolfgang Amadeus Mozart\u2019s Requiem,\u201d writes Tom Keogh in Tuesday\u2019s (10\/8) Seattle Times<\/em><\/a>. \u201c \u2018It\u2019s good, man,\u2019 the wry violinist says\u2026. The symphony will perform Requiem \u2026 in three concerts beginning Thursday, Oct. 17 \u2026 at Benaroya Hall, under the baton of conductor Masaaki Suzuki, founder and director of the Bach Collegium Japan\u2026. Geller \u2026 will be playing a vigorous solo during another performance on the bill, Karl Amadeus Hartmann\u2019s \u2018Concerto funebre (Funereal Concerto)\u2019 \u2026 written in 1939 \u2026 Hartmann, a German, was horrified by the Third Reich. His reaction to the Nazis inspired \u2018funebre\u2019s\u2019 striking tonal shift from initial hope to darkness\u2026. Geller, Seattle Symphony\u2019s first concertmaster since 2015 \u2026 received his Bachelor and Master of Music degrees at the Juilliard School, served as acting assistant concertmaster for the Philadelphia Orchestra and as concertmaster for the Kansas City Symphony.\u201d Says Geller, \u201cWe\u2019re beginning a great new chapter for the [Seattle Symphony] with Thomas Dausgaard as music director. I couldn\u2019t be happier with how we\u2019re sounding right now and the direction we\u2019re headed in.\u201d<\/p>\n

Posted October 8, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cNoah Geller, the distinguished new concertmaster of the Seattle Symphony Orchestra, has a concise yet heartfelt way of describing the enduring appeal of Wolfgang Amadeus Mozart\u2019s Requiem,\u201d writes Tom Keogh in Tuesday\u2019s (10\/8) Seattle Times<\/em>…. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"topic":[],"acf":[],"yoast_head":"\nNoah Geller, digging into concertmaster role at Seattle Symphony - Symphony<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/symphony.org\/noah-geller-digging-into-concertmaster-role-at-seattle-symphony\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Noah Geller, digging into concertmaster role at Seattle Symphony - 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