Author: Jennifer Melick

Jennifer Melick, Symphony magazine’s former longtime managing editor, is a freelance journalist based in Detroit.

Florence Price recording, highlighting banner year for the Fort Smith Symphony

“It’s been a year of great success for the Fort Smith Symphony,” write Jocelyn Murphy and Becca Martin-Brown in Sunday’s (12/29) Arkansas Democrat-Gazette (Little Rock). “The Florence Price Symphony No. 4, recorded in May 2018 by the Fort Smith Symphony under the baton of music director John Jeter and released in January 2019 on the Naxos label, made the list of the 25 ‘Best Classical Music Tracks of 2019,’ according to The New York Times…. That’s not the Fort Smith Symphony’s only year-end accolade: WQXR, New York City’s Classical Public Radio Station, listed the Florence Price recording in its best classical recording list for 2019. And the Florence Price album made the short list of Zoe Madonna and Jeremy Eichler’s top 10 classical albums of 2019 in The Boston Globe. ‘The Florence Price recording has received major national and international press since its release, and we are thrilled that this has continued throughout the year,’ says Jeter. ‘This sort of recognition is wonderful for our city, our region and the state. We thank Naxos for allowing us to bring this wonderful musical heritage of Arkansas to the world stage.’ Jeter says in 2020 ‘there are plans for more recordings.’ ”

In photo: composer Florence Price

 

See you in 2020!

The Hub will take a break from Wednesday, December 25 through the end of the year. We look forward to bringing you the latest news about orchestras beginning on Thursday, January 2, 2020. Happy Holidays!

Plus: The League is moving! Here’s how to say in touch.

At the end of December, the League of American Orchestras moves to new office space in Manhattan’s Garment District. Because of the move, League staff will not be available by phone December 27-31, so please use email to contact us during this time.

The League office will be closed on Monday, December 30, and will be open from 9:00am to 3:00pm on Tuesday, December 31.

Our new address will be:
League of American Orchestras
520 8th Avenue
Suite 2005, 20th Floor
New York, NY 10018

The League’s phone number, 212 262 5161, and email addresses will remain the same, including member@americanorchestras.org.

Thank you for your patience during this time of transition. We look forward to welcoming you to our new space in 2020!

Atlanta Symphony’s 2019 season-opener, on television and streaming, Dec. 31

The Atlanta Symphony Orchestra’s season-opening concert September 20, 2019 will be broadcast on December 31 at 9:30pm ET on Georgia Public Broadcasting television and streamed at GPBs’s website, gpb.org/live. Music Director Robert Spano will conduct the Prelude to Act I of Wagner’s Die Meistersinger von Nürnberg, Jennifer Higdon’s Concerto for Orchestra, and Wieniawski’s Second Violin Concerto with Joshua Bell as soloist. The program, entitled “An ASO75 Concert,” will include remarks from Spano about the Atlanta Symphony Orchestra’s 75th season. “We are happy to be working with GPB Media to bring the music of the Atlanta Symphony Orchestra to people beyond Symphony Hall,” said Tammy Hawk, VP of Marketing and Communications of the ASO. “It’s the perfect way to ring in 2020 and join in the ASO’s 75th Anniversary Celebration.”

Administrative: Orchestra of St. Luke’s

The Orchestra of St. Luke’s in New York City has appointed ALEX JOHNSTON as director of the DiMenna Center for Classical Music. Opened in 2011, the DiMenna Center for Classical Music is owned and operated by the Orchestra of St. Luke’s. Johnston takes up his post on January 6, 2020, after a two-year tenure as general manager of National Sawdust, the center for new music in Brooklyn. Johnston’s experience includes concert production, facilities operation, and project and rental management at various arts organizations. For more than a decade, Johnston was director of concert production for the New York Philharmonic, managing operations for the orchestra’s performances at Lincoln Center, Concerts in the Parks, and venues including the Park Avenue Armory and Metropolitan Museum of Art. Previously, he worked at the New Jersey Symphony Orchestra, American Composers Orchestra, and American Symphony Orchestra.

Artistic: Detroit Symphony Orchestra

The Detroit Symphony Orchestra has named HANNAH HAMMEL principal flute and SARAH LEWIS assistant principal oboe. Additionally, Alexander Volkov has joined the violin section. The appointments begin in January 2020.

Hannah Hammel goes to the Detroit Symphony Orchestra from Tennessee’s Knoxville Symphony, where she was principal flute for two and a half seasons. She has performed with the New York Philharmonic, Pittsburgh Symphony, Houston Grand Opera, Richmond Symphony, and others. She has spent summers at festivals including Tanglewood Music Center, Music Academy of the West, Pacific Music Festival, Spoleto Festival USA, and Round Top Music Festival. Hammel has won multiple flute competitions. A native of Richmond, VA, she began studying the flute with her mother, Alice Hammel. She holds a BM in flute performance and a minor in music theory from Oberlin Conservatory, and graduated with a MM in flute performance in 2017 from Rice University’s Shepherd School of Music.

Sarah Lewis is currently second oboe at the DSO and becomes assistant principal oboe in January, succeeding Brian Ventura, who retired after 30 seasons with the orchestra. Lewis joined the orchestra’s oboe section in 2017 after five seasons with the Toronto Symphony Orchestra. She has appeared with the Metropolitan Opera Orchestra, Minnesota Orchestra, Chautauqua Symphony Orchestra, New World Symphony, and Lansing Symphony Orchestra. A Michigan native, Lewis studied at Interlochen Arts Academy and earned an undergraduate degree at Michigan State University and a master’s degree at the Juilliard School. She participated in the Chautauqua and Tanglewood music festivals. She plays second oboe and English horn in Festival Napa Valley and Nevada’s Classical Tahoe Orchestra. Lewis has served as a guest lecturer at Michigan State University and the Royal Conservatory of Music in Toronto.

Obituary: Pianist Abbey Simon, 99

“Abbey Simon, a piano virtuoso whose rhythmic flexibility, rich colorings and unerring fingers elevated recordings and performances at concert halls around the world, died Dec. 18 at his home in Geneva,” writes Harrison Smith in Sunday’s (12/22) Washington Post. “He was three weeks shy of his 100th birthday…. A piano prodigy who began improvising at the age of 3, Mr. Simon was known for his buoyant renditions of Romantic classics by composers such as Beethoven, Schumann and Rachmaninoff. He recorded some 20 discs of Chopin and the complete piano works of Ravel for the label Vox, performed up to 100 times a year at his peak and taught legions of students at schools including the University of Houston, where he retired only this spring…. He was taught by artists who began their careers in the 19th century—most notably Josef Hofmann, his instructor at the Curtis Institute of Music … Abbey Henry Simon was born in New York City on Jan. 8, 1920, and raised in the Bronx…. He joined the University of Houston’s faculty in 1977 and founded the annual International Piano Festival seven years later. He was also on the faculties of Indiana University in Bloomington, Ind., and the Juilliard School in Manhattan.”

At the Vienna Philharmonic, change is slow for women musicians

“Women were first hired into a major orchestra in 1913, when six female violinists joined the Queen’s Hall Orchestra in London,” writes Farah Nayeri in Monday’s (12/23) New York Times. “But in Vienna, female musicians were not officially offered auditions to the Philharmonic until more than eight decades later. Today, 15 of the Vienna Philharmonic’s 145 permanent members are women…. The Berlin Philharmonic first admitted a woman in 1982, a century after it was founded. [At] the Vienna Philharmonic … players are recruited from the orchestra of the Vienna State Opera. And until 1997, the opera would not allow women to audition for the philharmonic…. Daniel Froschauer, chairman of the self-governing Vienna Philharmonic and one of its first violinists, said … the number of female musicians … ‘is ever-growing.’ … An August 2019 survey … showed that in Continental [European] orchestras, 36.6 percent of members were women. In … Britain, 44 percent…. Change does appear to be afoot in Austria. In September, Marin Alsop, an American, became the first female chief conductor of the Vienna Radio Symphony Orchestra…. ‘They are extraordinarily open to the idea of righting this wrong,’ she said.”

Longtime Topeka Symphony violinist honored at holiday concert

“Molly Wisman received an early Christmas gift at a recent performance of the Topeka Symphony Orchestra,” writes Todd Fertig in Saturday’s (12/21) Topeka Capital-Journal (Kansas). “In recognition of her 50 years of participation as a violinist, the orchestra surprised her by turning a holiday number into a family affair. The orchestra has a tradition of auctioning off the role of guest conductor for the song ‘Jingle Bells Forever’ at its annual Capitol Federal Holiday Concert…. Wisman’s husband, Alan, secretly won the bid this year…. ‘It took some work to arrange for a “proxy bidder” so that Molly wouldn’t know Alan was trying to win this opportunity,’ said Bob Keckeisen, executive director of the Topeka Symphony Orchestra…. Kathy Maag, general manager of the orchestra, was the primary accomplice helping Alan Wisman bid covertly at the auction. To keep the secret, symphony conductor Kyle Wylie Pickett prepped Alan by practicing conducting … ‘I had no training at all and couldn’t rehearse like they normally would,’ said Alan Wisman, owner of Einstein’s Outdoor Outfitters. ‘So they gave me a disc with the recording. I would put it on in my shop, and people would come in and see me flailing my arms about.’ ”

Billings Symphony gets a holiday gift: a new building

“The Billings Symphony Orchestra and Chorale has received its largest single donation: the Sukin Building … in downtown Billings,” writes Anna Paige in Sunday’s (12/22) Billings Gazette (Montana). “The building is being donated by Jack and Adrea Sukin and Robert and Sandra Sukin, formerly of Billings, through their company, Montana Development Co. … Jase Norsworthy, past president of the Billings Symphony’s board of directors and a real estate broker with Re/Max of Billings, … said, ‘They kind of fell in love a little bit with the idea of the symphony being there.’ Plans are to renovate the location … by the end of May…. The Sukin Building was constructed in 1924. Its current taxable value is $674,500, according to the Yellowstone County Treasurer’s office. A formal appraisal is pending…. Norsworthy said the ongoing rental income from tenants [in the building] will be fed into an endowment or operation budget the organization can draw upon…. ‘We are growing the team, we are growing the exposure in the community, and we are growing the number of performances each year,’ ” said Billings Symphony Executive Director Ignacio Barrón Viela. “This new space triples BSOC’s current office space to 3,630 square feet.”

Pittsburgh Symphony’s sensory-friendly concerts, reaching new listeners

“Jennifer Bruno doesn’t take her daughter Cassie to many public events,” writes Jeremy Reynolds in Monday’s (12/23) Pittsburgh Post-Gazette. “Cassie, 14, is visually impaired and autistic. Sometimes she yells loudly, when she’s overwhelmed or tired. …. It can be stressful to take her to public, family-friendly occasions…. On Saturday, the [Pittsburgh Symphony] hosted its first sensory-friendly Holiday Pops narrated and directed by conductor Daniel Meyer…. ‘Coming here hasn’t been stressful—this is wonderful,’ Ms. Bruno said at the concert while Cassie vocalized to preshow Christmas tunes…. Kids roamed the aisles…. The lights stayed up … some of the louder moments in the holiday selections were toned down.… There were … hearing aids and an American Sign Language interpreter for those with auditory issues…. The Pittsburgh Symphony… rolled out its first [sensory-friendly] program in 2015…. This year, the symphony has been working to adapt pops programming like its Disney pops concert in March and the December Holiday Pops concerts…. At the moment, the PSO only programs one sensory-friendly concert per season, but that may increase…. ‘We want this to become a new tradition,’ ” said Suzanne Perrino, senior vice president of learning and community engagement at the Pittsburgh Symphony.