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Review: No Name Pops’ Holiday Show, with Dancing Santas, Yuletide Favorites, and a Tune by Jason Kelce
Premieres / Repertoire / Commissions
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Musical America Names Its “Top 30 Professionals of 2023”
Industry News
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Philly Pops Agrees to Pay Back Wages to Musicians
Business and Finance
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Dave Moss Named as Eugene Symphony’s Next Executive Director
Musical Chairs - Industry Moves
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Maine’s Portland Symphony Expands Diversity and Inclusion Efforts
Equity, Diversity, and Inclusion
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Climate Protesters Interrupt Met Opera “Tannhäuser” Performance
Climate and Sustainability
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Update: Valery Gergiev to Lead Bolshoi Theater, in Addition to Mariinsky
Musical Chairs - Industry Moves
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League Seminar in Detroit: “Organizational Resiliency in Times of Change”
Business and Finance
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Conductor Mei-Ann Chen: Opening Wide the Doors to Classical Music
Equity, Diversity, and Inclusion
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New York City Ballet Orchestra Agrees to New Contract, with Raises
Business and Finance
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Rethinking the Music Director Paradigm for Today
Industry News
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New Fellowship Aims to Increase Musician Diversity and Inspire the Next Generation
Equity, Diversity, and Inclusion
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What Happens When a Starchitect Designs a Piano
Industry News
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Attendance on the Rise at Chicago Symphony Orchestra
Business and Finance
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Review: NY Philharmonic in Julia Perry’s “Stabat Mater” Plus Holst’s “The Planet” and Ligeti’s “Atmosphères”
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Seven Musicians Join Naples Philharmonic
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Review: “Maestro,” Bradley Cooper’s Bernstein Biopic
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Shanghai Symphony and New York Philharmonic Collaborate on Oratorio About Jewish Émigrés in Shanghai
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Saxes in the Balconies for Concerto World Premiere at Saskatoon Symphony
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Strings and Synth: Pop Artists and Orchestras Continue to Join Forces
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Review: Focus on Contemporary Concerns and Black Composers at New Haven Symphony Concert
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Update: Gergiev Will Not, Apparently, Take on Leadership of Bolshoi in Addition to Mariinsky
Musical Chairs - Industry Moves
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Thanksgiving Break
League News
