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Nov 03, 2022
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Dallas Symphony’s Women in Classical Music Symposium Examines Ongoing Gender Gap
Equity, Diversity, and Inclusion
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Nov 03, 2022
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G. Schirmer to Publish 400 Works by Jewish Composers Who Were Suppressed by the Nazis
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Nov 03, 2022
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Nov 03, 2022
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Oct 27, 2022
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Oct 27, 2022
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Santa Rosa Symphony President and CEO Alan Silow to Retire in June, After 21 Seasons at the Helm
Musical Chairs - Industry Moves
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Oct 27, 2022
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In Germany, a Project to Complete Bach’s “Orgelbüchlein”—with Over 100 Composers
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Oct 27, 2022
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Dallas Symphony Orchestra to Present Fourth Annual Women in Classical Music Symposium, November 6-9
Equity, Diversity, and Inclusion
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Oct 27, 2022
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The Changing Profile of the Modern Orchestral Conductor
Voices from the Industry
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Oct 27, 2022
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U.K. Music Industry to Implement Anti-Racism Code in 2023
Equity, Diversity, and Inclusion
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Oct 27, 2022
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Women’s Philharmonic Advocacy Accepting Applications for 2022 Grants to Expand Inclusion at Orchestras and Ensembles
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Oct 27, 2022
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Oct 27, 2022
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Oct 27, 2022
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At Minnesota Orchestra, Thomas Søndergård Begins to Make HiMark as Music Director Designate
Voices from the Industry
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Oct 20, 2022
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Long excluded, Black Conductors on the Rise at American orchestras
Equity, Diversity, and Inclusion
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Oct 20, 2022
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Oct 20, 2022
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San Francisco Symphony and Music Director Esa-Pekka Salonen Premiere Magnus Lindberg Piano Concerto, with Yuja Wang
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Tchaikovsky + Drake at Indianapolis Symphony
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Oct 20, 2022
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Jakob Hrusa Named to Succeed Antonio Pappano as Music Director of London’s Royal Opera House
Musical Chairs - Industry Moves
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Opinion: It’s Time to Rethink the American Orchestra
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Oct 20, 2022
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