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The Score | In Remembrance: Chester Lane, Symphony Magazine Senior Editor, 74

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The Score | BMOP’s “History, Race, and Justice on the Opera Stage”

Help Yourself

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Applications now open for 2022 Rubin Institute for Music Criticism

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For upcoming MLK tribute concerts, Chicago Sinfonietta updates COVID-19 health measures

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Review: Handel and Haydn Society, guest conductor Václav Luks, music by Bologne, Voríšek, Beethoven

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Opinion: Classical music education improves children’s lives, and U.K. government should increase funding

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Missouri’s Springfield Symphony to spotlight winds, strings with music by Dvořák, Frank, Still, Britten

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Cincinnati Symphony receives gift to endow its chief diversity and inclusion officer position

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Last-minute podium switch at West Virginia Symphony, due to COVID-19

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Cleveland Orchestra adds new episodes to streaming “In Focus” series

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Obituary: Atlanta executive and arts philanthropist Bradley Norton Currey Jr., 91

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Jonny Greenwood’s wide-ranging musical curiosity, from Radiohead to orchestras and film scores

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Delaware music school receives surprise $10M bequest for scholarships

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Jan 13, 2022

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Orchestras work toward inclusion with commissions, compositions, and artists

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Jan 13, 2022

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Fort Worth Symphony 2022-23: conductors Spano and Edusei arrive, new chamber and composer series, Haydn’s “Creation”

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Jan 13, 2022

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Arkansas Symphony to build multipurpose space for music education, offices, concert hall

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Jan 12, 2022

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Winnipeg Symphony revises, shortens annual new-music festival in response to COVID-19

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Jan 12, 2022

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Boston Symphony to require patrons to be fully vaccinated, in accordance with city mandate

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Jan 12, 2022

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Tulsa Symphony and University of Tulsa join forces

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Jan 12, 2022

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The people who helped organize airlift of young musicians from Afghanistan to Portugal

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Jan 12, 2022

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What’s behind Thomas Dausgaard’s sudden resignation as music director of Seattle Symphony

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Mark Williams named CEO of Toronto Symphony

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Jan 11, 2022

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The Latest Articles and News

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The Score | Omicron Impact

The Score | Next-Gen Film Music in L.A.

The Score | Nathalie Stutzmann, Atlanta Symphony’s Next Music Director

The Score | Nashville at 75

The Score | Musical America’s 2022 Awardees: Uchida, Abrams, Mazzoli, Tines

The Score | In Remembrance: Chester Lane, Symphony Magazine Senior Editor, 74

The Score | Googling Edmond Dédé

The Score | Florence Price, On Page and Onstage

The Score | BMOP’s “History, Race, and Justice on the Opera Stage”

Applications now open for 2022 Rubin Institute for Music Criticism

For upcoming MLK tribute concerts, Chicago Sinfonietta updates COVID-19 health measures

Review: Handel and Haydn Society, guest conductor Václav Luks, music by Bologne, Voríšek, Beethoven

Opinion: Classical music education improves children’s lives, and U.K. government should increase funding

Missouri’s Springfield Symphony to spotlight winds, strings with music by Dvořák, Frank, Still, Britten

Cincinnati Symphony receives gift to endow its chief diversity and inclusion officer position

Last-minute podium switch at West Virginia Symphony, due to COVID-19

Cleveland Orchestra adds new episodes to streaming “In Focus” series

Obituary: Atlanta executive and arts philanthropist Bradley Norton Currey Jr., 91

Jonny Greenwood’s wide-ranging musical curiosity, from Radiohead to orchestras and film scores

Delaware music school receives surprise $10M bequest for scholarships

Orchestras work toward inclusion with commissions, compositions, and artists

Fort Worth Symphony 2022-23: conductors Spano and Edusei arrive, new chamber and composer series, Haydn’s “Creation”

Arkansas Symphony to build multipurpose space for music education, offices, concert hall

Winnipeg Symphony revises, shortens annual new-music festival in response to COVID-19

Boston Symphony to require patrons to be fully vaccinated, in accordance with city mandate

Tulsa Symphony and University of Tulsa join forces

The people who helped organize airlift of young musicians from Afghanistan to Portugal

What’s behind Thomas Dausgaard’s sudden resignation as music director of Seattle Symphony

Mark Williams named CEO of Toronto Symphony

ProMusica Arizona Chorale and Orchestra to perform “Misa Azteca”

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