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Oct 27, 2022
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Dallas Symphony Orchestra to Present Fourth Annual Women in Classical Music Symposium, November 6-9
Equity, Diversity, and Inclusion
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Oct 27, 2022
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The Changing Profile of the Modern Orchestral Conductor
Voices from the Industry
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Oct 27, 2022
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U.K. Music Industry to Implement Anti-Racism Code in 2023
Equity, Diversity, and Inclusion
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Oct 27, 2022
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Women’s Philharmonic Advocacy Accepting Applications for 2022 Grants to Expand Inclusion at Orchestras and Ensembles
Equity, Diversity, and Inclusion
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Oct 27, 2022
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Oct 27, 2022
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Oct 27, 2022
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At Minnesota Orchestra, Thomas Søndergård Begins to Make HiMark as Music Director Designate
Voices from the Industry
News Brief
Oct 20, 2022
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Long excluded, Black Conductors on the Rise at American orchestras
Equity, Diversity, and Inclusion
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Oct 20, 2022
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Oct 20, 2022
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San Francisco Symphony and Music Director Esa-Pekka Salonen Premiere Magnus Lindberg Piano Concerto, with Yuja Wang
Premieres / Repertoire / Commissions
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Tchaikovsky + Drake at Indianapolis Symphony
Industry News
Who's In
Oct 20, 2022
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Jakob Hrusa Named to Succeed Antonio Pappano as Music Director of London’s Royal Opera House
Musical Chairs - Industry Moves
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Oct 20, 2022
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Opinion: It’s Time to Rethink the American Orchestra
Voices from the Industry
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Oct 20, 2022
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Iranian Women Composers in the Spotlight
Premieres / Repertoire / Commissions
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Oct 20, 2022
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More Works by Women Composers Being Performed by Orchestras
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Oct 13, 2022
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Oct 13, 2022
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Review: Hartford Symphony’s All-American Concert: Copland, Gershwin, Grofé, and Valerie Coleman
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Oct 13, 2022
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Oct 13, 2022
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League News
Oct 13, 2022
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Oct 13, 2022
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