How the Detroit Symphony created musical connections during the pandemic

Philharmonia Baroque Orchestra’s summer 2022 tour of U.K., Netherlands, eastern U.S.

Review: Cincinnati Symphony and May Festival Chorus’s semi-staged “Candide”

Israeli orchestra gives rare performance in Egypt

Canton Symphony and pianist Jeffrey Biegel in world premiere of Daniel Perttu’s “A Planets Odyssey”

Pittsburgh Symphony’s Melia Tourangeau on leading during tough times

New League of American Orchestras initiative with Toulmin Foundation to commission works by women composers, form 30-orchestra consortium

The Florida Orchestra’s new teaching artist: Jina Lee

Delaware Symphony hires Charles “Ebbie” Alfree III as director of development

Anchorage Symphony names Elizabeth Schulze as music director

Six music-director finalists to lead Winston-Salem Symphony in 2022-23

Review: Chicago Symphony’s season-ending MusicNOW program: concertos by Montgomery, Moore, Tower, Weinberg

External review of University of Toronto music department finds sexual harassment and racial discrimination

Yo-Yo Ma and John Williams, longtime collaborators—and friends

Oklahoma’s Signature Symphony selects Scott Seaton as artistic director

Chicago Sinfonietta among 18 arts organizations of color in new Wallace Foundation initiative

Review: Philadelphia Orchestra world premiere of Melody Eötvös’s “When It Hits the Ocean Below”

Cellist Alisa Weilerstein on performing with the San Diego Symphony, touring, and family life

Wichita Symphony holds improv workshop for orchestra musicians, staff, board members

Edmonton Symphony’s Alexander Prior to step down in June

League of American Orchestras launches 30-orchestra consortium, commissions works by six women composers in new Toulmin Foundation program

Review: Julia Bullock’s curated program of works by women composers of color at San Francisco Symphony

Charleston Symphony’s “Orchestrating Freedom” concert, part of three-day initiative by multiple Charleston organizations

Opinion: Those mentoring young musicians should be candid about finances

Kyiv’s National Opera re-opens

Steven Schick to return to solo-percussion roots after stepping down as La Jolla Symphony music director

Loss of employee retention tax credit poses risks to orchestras and other nonprofits 

Review: Saint Paul Chamber Orchestra world premiere of Cindy Cox’s climate-inspired score

National Philharmonic’s 2022-23: world premieres by Hailstork and Dehlinger, works with chorus, pops, chamber music

Review: Los Angeles Chamber Orchestra’s world premiere of Ellen Reid’s “Floodplain”