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San Antonio Philharmonic Musicians Ratify Contract Terms
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Vermont Symphony Orchestra Selects Andrew Crust as Music Director
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Review: La Jolla Symphony Pairs Brahms, Missy Mazzoli, and Premiere by Alex Stephenson
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Oregon Symphony CEO Scott Showalter to Step Down
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Tallahassee Symphony to Premiere Joel Thompson Work About 1950s Civil Rights Bus Boycott
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Decoding Beethoven’s DNA—From Locks of His Hair
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Applications Open for Handel and Haydn Society’s Fellowship for Musicians from Historically Underrepresented Groups
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Mainly Mozart’s “All-Star Orchestra Festival” Expands to Three California Venues
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New York Philharmonic Announces 2023-24, Final Season with Jaap van Zweden as Music Director
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Cleveland Orchestra’s 2023-24: Starry Guest Artists, Conductor Debuts, Three World Premieres
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St. Louis Symphony Embarks on European Tour
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Rachel Cementina Appointed Executive Director of San Luis Obispo Symphony
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Wichita Symphony Orchestra Looks Ahead to 2023-24
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Frenemies Forever? Lima Symphony Concert Features Mozart and Salieri
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Review: Fargo-Moorhead Symphony Tackles Mahler 5
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Atlanta Symphony’s 2023-24: Starry Guests, Romantic Rep, New Sounds
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Two Australian Orchestras Reach Gender Parity for Women Composers
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Hilary Hahn’s #100daysofpractice Videos Explore a Classical Violinist’s Life and Art
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League Webinar: “Measuring Equity, Diversity, and Inclusion”
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Alexander Laing to Succeed Lee Koonce as Head of Gateways Music Festival in January 2024
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Dallas Symphony’s 2023-24: Ring Cycle, Premieres by Four Women Composers, Conductor and Soloist Debuts
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Changing of the Guard at Oklahoma’s Enid Symphony Orchestra
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Charlotte Symphony CEO David Fisk on the Orchestra’s Coming Season
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Black Women Composers in the Spotlight in Philadelphia’s Classical Scene
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Knoxville Symphony Orchestra Announces 2023-2024 Season
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Sydney Conservatory’s “Composing Women” Project
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Zachary DePue Named Concertmaster of Naples Philharmonic
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Boulanger Initiative Launches Database of Women and Gender-Marginalized Composers
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Boston Symphony Orchestra’s “Festival: Voices of Loss, Reckoning, and Hope”
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Oregon Symphony Program Explores Tolerance, Intolerance, and Resistance
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Sphinx Awards Annual Medals of Excellence
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National Symphony Orchestra’s 2023-24: European Tour with Music Director Gianandrea Noseda, Artist Residencies, Six Commissioned Premieres
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Berlin’s Berghain Techno Nightclub Offers Composers Outlet and Inspiration
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Apple to Launch Classical Music App
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Detroit Symphony Tickets: $3.13 on 313 Day
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Canada’s Royal Conservatory of Music Names Alexander Brose as Its Next President
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Holland Symphony Orchestra Gets Dancing with “The Rite” and More
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Conductor Claire Gibault: Getting Past Classical Music’s Gender Barriers
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University of Missouri Music Students Compose for St. Louis Symphony Orchestra, with Support of Mizzou Initiative
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250 Years Ago, Black Composer Ignatius Sancho Made His Mark
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Review: New York Philharmonic Performs a World Premiere, a Symphony, and an Oratorio, All by Black Composers
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Christopher James Lees Appointed Music Director of Rock Hill Symphony
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LA Phil’s 2023-24 Season: World Premieres, Walt Disney Concert Hall Anniversary, Pan-American Music Initiative, Multiple Partnerships
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Florida Orchestra CEO Mark Cantrell to Become CEO of Colorado Symphony
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Yo-Yo Ma’s Plea for Peace
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Review: With “Rodgers, Hart, and Hammerstein,” Jack Everly Bows Out as Baltimore Symphony’s Principal Pops Conductor
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Carnegie Hall Announces 2023-24 Season: U.S. and International Orchestras, Premieres, Stellar Soloists, Thematic Focus
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